Birmingham’s industrial noise guerrillas Khost’s latest album is a work of sonic horror, the sound of man’s spirit being ground up in some unspeakable machine. In a really good way.
Over the years I’ve found the best music often comes from the places you least expect it to. Not that you wouldn’t expect good stuff from a collaboration between saxophonist extraordinaire Colin Stetson and Liturgy drum whirlwind Greg Fox. But you might not expect it to be this good – and especially this much fun.
Thrill Jockey’s latest heavy signings – joining the likes of Sumac, Wrekmeister Harmonies, Liturgy and The Body in their growing roster of thinking man’s metal bands – are a doom on the esoteric end of the genre, playing drone-like dirges with brutal intensity.